Does acoustic treatment mean a room is soundproof?
No. Treatment controls reflections within a room; isolation limits sound transmission through the building. Assess them separately. Request representative room tone with normal ventilation and neighbouring activity, not just a photograph of acoustic panels. Understand the room assessment.
Should every game sound be recorded dry?
No. Dry recordings allow flexible spatialisation, but a real room can be a deliberate part of an effect. Choose according to the intended use. If a distinctive acoustic is important, consider capturing a separate close perspective so the sound designer retains options.
What should we send before a voice session?
Send a versioned script with stable line IDs, character context, pronunciation guidance, expected vocal demands and delivery requirements. Identify who can approve changes and which lines have timing constraints. Share relevant references securely and avoid unnecessary personal information. Prepare the performance context.
How many Foley variations do we need?
Base the number on repetition, gameplay states and the implementation system. Deliberate differences are more valuable than arbitrary extra takes. Consider how often players hear the event and which changes in speed, force or surface actually need distinct recordings. Plan meaningful variations.
Can a remote director judge the final recording quality?
A compressed monitoring feed may not represent the locally recorded master. Confirm the monitoring path and review original samples when necessary. Separate creative approval from technical approval if they depend on different listening conditions.
Is 48 kHz, 24-bit always the correct format?
It is common, not universal. Agree capture, editorial and implementation formats separately with the receiving team. Higher sample rates may support particular transformations, but do not automatically improve every source or solve noise and clipping.
Should processing be printed while recording?
Only when the production has deliberately agreed it. Preserve an unprocessed recording where practical, especially when processing is difficult to reverse. Monitoring with an effect does not require that effect to be permanently included in the source file.
What belongs in a handoff package?
Include the agreed audio, a manifest, format and channel notes, versions, known issues and any required source recordings or room tone. Test a small package in the receiving workflow before the full export. Build a reliable delivery.
Can Roverbravilo book a studio or record our project?
No. Roverbravilo is an independent information website, not a studio, agency or booking service. You can contact us about an editorial question or correction. Our message tool prepares text locally; it does not send a booking request.